Last night’s world premiere of “Festival City” went off without a hitch. The Royal Scottish National Orchestra players were on fire, and the acoustics in Usher Hall were excellent. Kudos too to the Edinburgh International Festival audience for their commitment and enthusiasm to new work. Check out this BBC report from the rehearsal, including a video with interviews with Tod Machover and RSNO conductor Peter Oundjian. The entire performance was also recorded and we hope will be broadcast soon. Stay tuned…
Play Cauldron Connector to win two free tickets to Tod Machover’s “Festival City” premiere at the EIF’s “City Noir” concert on August 27.
How’s your auditory and musical acumen? Test it out with the Cauldron Connector quiz designed by Akito Van Troyer and Tod Machover at the MIT Media Lab. Correctly traverse your way through the sounds of Machover’s “Festival City”, and your name will be placed into a drawing for two free tickets to the lecture/demo (5pm) and premiere (8pm) of the piece at the Edinburgh International Festival’s “City Noir” concert on August 27th!!
Even if you’re nowhere near Edinburgh and won’t be able to attend the concert, you can still play and if you win, we’ll think of some cool alternative prize.
Wired UK posted this excellent article today that provides an in-depth look at the Festival City project. Included are detailed descriptions of how the music apps work. We loved this:
To compose Festival City, which Machover hopes will bring out the contrasts of the city, Machover first invited people to submit raw material that reminded of them of Edinburgh during festival time. These could be pieces of music, sounds or recorded stories and anecdotes which were submitted by email, uploaded toSoundCloud or recorded on an answering phone. Sounds that particularly stood out for Machover were those of church bells and people talking in the lobbies discussing shows they’d just seen, as well what he describes as an “indie rock band of traffic”, where each of the cars stood out like soloists, rather than just collaborating to a single mass of traffic noise.
Tod is in Edinburgh this week and next, busy fine-tuning and rehearsing “Festival City”, which premieres next Tuesday, August 27th, at the Edinburgh International Festival. Tickets here.
The M.I.T. Media Lab Opera of the Future group’s work is the subject of a full-page article by Corinna da Fonseca-Wollheim in the August 16th issue of the New York Times. It’s an engagingly written piece that covers the history of Tod Machover’s work in music composition and technology, from hyperinstruments to “Death and the Powers” to “Festival City”, including a description of the Cauldron app in action. Accompanying the story is a terrific slide show of photographs by Katherine Taylor. Tod’s newest work, “Festival City”, premieres next week, on August 27th, at the Edinburgh International Festival.
We’re starting to see some lovely media coverage of the Festival City project. Check out:
The Scotsman – Sounds of Edinburgh to be used in festival symphony – “Birdsong, buskers, traffic and even tramworks could all end up being part of Tod Machover’s crowd-sourced work, Festival City, which he will work on until just shortly before it is premiered. Billed as a “sonic portrait” of the city, it will be unveiled at the Usher Hall in August in a one-off show to be performed by the Royal ScottishNational Orchestra.”
Boston Business Journal – A score for the world’s biggest music fest? There’s an app for that – “Machover said he said he sees Edinburgh as a divided city, with beautiful, 18th Century architecture on one hand, but the historical backdrop for “Dr. Jeckyll and Mr. Hyde” and J.K. Rowling’s “Harry Potter” Series. He said that while the Toronto project was “like a journey where it ends up pretty classical,” the Edinburgh music will be different, because he’ll be letting the Cauldron – and everything residents stir into it – to determine its flow. ‘I think this piece may end up being more experimental,” he said. “I don’t want to write a simple melody to tie everything together. What’s going to tie everything together will be the soup.'”
West End Broadway World – 2013 Edinburgh International Festival Launches New ‘Cauldron’ App “With Cauldron we grow closer and closer to the idea of a sonic portrait of Edinburgh. I want Cauldron to give users a feeling akin to standing on top of Arthur’s Seat and absorbing the entire city at once. Having spent time working the RSNO and different school groups across Edinburgh, I’ve been directly inspired by their enthusiasm and energetic input, and am excited to share further the sounds created through Cauldron’.”