Watch – Festival City

Last night’s world premiere of “Festival City” went off without a hitch. The Royal Scottish National Orchestra players were on fire, and the acoustics in Usher Hall were excellent. Kudos too to the Edinburgh International Festival audience for their commitment and enthusiasm to new work. Check out this BBC report from the rehearsal, including a video with interviews with Tod Machover and RSNO conductor Peter Oundjian. The entire performance was also recorded and we hope will be broadcast soon. Stay tuned…

Read and watch video here: Edinburgh’s crowdsourced symphony made with MIT apps

Rehearsals have begun

From Tod Machover’s Facebook page:

Exciting first rehearsal yesterday with full orchestra of FESTIVAL CITY. Here’s the Royal Scottish National Orchestra trying out the piece for the first time, in their rehearsal space in Glasgow. On my way back there now for more rehearsing. More pictures soon.

“Festival City” featured in New York Times

The M.I.T. Media Lab Opera of the Future group’s work is the subject of a full-page article by Corinna da Fonseca-Wollheim in the August 16th issue of the New York Times. It’s an engagingly written piece that covers the history of Tod Machover’s work in music composition and technology, from hyperinstruments to “Death and the Powers” to “Festival City”, including a description of the Cauldron app in action. Accompanying the story is a terrific slide show of photographs by Katherine Taylor. Tod’s newest work, “Festival City”, premieres next week, on August 27th, at the Edinburgh International Festival.

Here’s the article: Duet for Composition and Software

Here’s the slide show.

Repertoire Remix (VIDEO)

Last month, composer Tod Machover joined an online audience together with pianist Tae Kim in an experience that fused Web-based interaction with a live piano performance. This demo centered on the Cauldron app built at the Media Lab for the “Festival City” project commissioned by the Edinburgh International Festival. The app is populated with the sounds of the music most frequently performed over the history of the festival. The pieces are represented by colored circles, and participants online can “stir” the musical brew by positioning their cursors over the circles, which move and grow in response. During this live demo, Tod worked on a second interface to determine how the musical fragments would interact with one another, and piano virtuoso Tae Kim used the evolving images as a “score” to improvise music. His improvisations in turn will inform the final piece, which premieres on August 27th. Watch the demo in the video above.

This Guardian article provides a great description of how the demo works: Join us for an interactive improvisation session for Tod Machover’s Festival City project

Festival City – Get involved!

In this introductory video, composer Tod Machover explains how you can collaborate on creating his new symphonic work. Here’s all you need to do:

Sign up to receive e-alerts about the latest collaborative activities.
Post a comment about your most evocative memories and impressions of Edinburgh. Or share an audio recording via the project’s SoundCloud account.
Over the coming months, pieces of new music will be debuted here. Use our special apps to re-shape these sounds to your liking and share them back.