From Tod Machover’s Facebook page:
Exciting first rehearsal yesterday with full orchestra of FESTIVAL CITY. Here’s the Royal Scottish National Orchestra trying out the piece for the first time, in their rehearsal space in Glasgow. On my way back there now for more rehearsing. More pictures soon.
Wired UK posted this excellent article today that provides an in-depth look at the Festival City project. Included are detailed descriptions of how the music apps work. We loved this:
To compose Festival City, which Machover hopes will bring out the contrasts of the city, Machover first invited people to submit raw material that reminded of them of Edinburgh during festival time. These could be pieces of music, sounds or recorded stories and anecdotes which were submitted by email, uploaded toSoundCloud or recorded on an answering phone. Sounds that particularly stood out for Machover were those of church bells and people talking in the lobbies discussing shows they’d just seen, as well what he describes as an “indie rock band of traffic”, where each of the cars stood out like soloists, rather than just collaborating to a single mass of traffic noise.
Tod is in Edinburgh this week and next, busy fine-tuning and rehearsing “Festival City”, which premieres next Tuesday, August 27th, at the Edinburgh International Festival. Tickets here.
Read the full article: Festival City: Tod Machover on crowdsourcing music with MIT apps for EIF
Last month, composer Tod Machover joined an online audience together with pianist Tae Kim in an experience that fused Web-based interaction with a live piano performance. This demo centered on the Cauldron app built at the Media Lab for the “Festival City” project commissioned by the Edinburgh International Festival. The app is populated with the sounds of the music most frequently performed over the history of the festival. The pieces are represented by colored circles, and participants online can “stir” the musical brew by positioning their cursors over the circles, which move and grow in response. During this live demo, Tod worked on a second interface to determine how the musical fragments would interact with one another, and piano virtuoso Tae Kim used the evolving images as a “score” to improvise music. His improvisations in turn will inform the final piece, which premieres on August 27th. Watch the demo in the video above.
This Guardian article provides a great description of how the demo works: Join us for an interactive improvisation session for Tod Machover’s Festival City project
REPERTOIRE REMIX
Special Interactive Improvisation Session for
Tod Machover’s Festival City
Commissioned by the Edinburgh International Festival
Created at the MIT Media Lab
Hosted by The Guardian
Composer Tod Machover is in the midst of creating a “collaborative symphony” called Festival City, to be premiered on August 27th at the Edinburgh International Festival. The work is a sonic portrait of Edinburgh – the city and the festival – created with input from Edinburgh lovers, both residents and visitors. For the past few months, Tod has been soliciting audio samples of – and stories about – the city, as well as providing tools created by his team at the MIT Media Lab that allow everyone to help shape the composition.
Now is your chance to participate in a one-time-only special event to further shape Festival City. From 2-3pm Boston time (7-8pm UK time) on Tuesday, July 9th, you will be able to help select musical elements from the repertoire of pieces performed at the EIF since its inception in 1947. Here’s how it works: Continue reading Join our interactive live-stream event Tuesday, July 9th!!
We just made a new version of Constellation and it is ready to go at edinburgh.media.mit.edu/scores. It has a completely new set of sounds based on new sounds submitted, sounds Tod recorded during his recent trip to Edinburgh, along with mixes that he has started to make. “It is really cool, and gives a sense of how the piece is developing,” he says. “We also changed a few features and the mixes are beautiful, plus the differences between the 5 different parameter versions is remarkable…it is worth trying them all.”
The new setting is called “Edinburgh Soundscape 2”, and it is the default setting when you now go to Constellation. The previous one – “Edinburgh Soundscape 1” – is still available as well.
The Constellation and Cauldron apps are now live! You can start creating your own scores for Festival City. With the brand new Cauldron app (designed by Akito Van Troyer and Tod Machover at the MIT Media Lab), you’ll be able to create and experience a bubbling brew of Edinburgh sounds that have been concocted and collected for Tod Machover’s Festival City , currently being composed by Tod – with your collaboration – for the 2013 Edinburgh International Festival. Starting now, you can experiment with our first selection of musical and audio ingredients to stir up your own special mix. We will be adding new features and sounds quite regularly over the coming weeks, so please visit the app often. Each time you’ll find something new to add to the Cauldron and will experience new ways that the elements blend, bubble, and surprise.
Click here to play with the Constellation and Cauldron apps!
The Constellation app is now live! You can start creating your own scores for Festival City. These patterns and collections of sounds will contribute to the next stage of the project. Make sure you keep on submitting your sounds as next Edinburgh Soundscapes will be launching in June and July.
We’re getting wonderful support from the digital media team at the Edinburgh International Festival! Please help us engage as many people as possible in the “Festival City” project. Here are some of the ways:
In this introductory video, composer Tod Machover explains how you can collaborate on creating his new symphonic work. Here’s all you need to do: